The English and American scientific system versus the German system
Scientific Pitch Notation (SPN)
Scientific Pitch Notation (SPN)
The standard tuning pitch is A4 (A above middle C) − in German-speaking countries it is called a’. The notes have different names. The German system is used also in many other countries, as there are e.g. Poland, Czech Republic, and Russia. The frequencies of the 88-key piano keyboard are: |
Piano key number | English Notation | German Notation | Frequency Hz |
88 | C8 (last tone) | c’’’’’ | 4186.01 |
87 | B7 | h’’’’ | 3951.07 |
86 | A7/B7 | ais’’’’/b’’’’ | 3729.31 |
85 | A7 | a’’’’ | 3520.00 |
84 | G7/A7 | gis’’’’/as’’’’ | 3322.44 |
83 | G7 | g’’’’ | 3135.96 |
82 | F7/G7 | fis’’’’/ges’’’’ | 2959.96 |
81 | F7 | f’’’’ | 2793.83 |
80 | E7 | e’’’’ | 2637.02 |
79 | D7/E7 | dis’’’’/es'''' | 2489.02 |
78 | D7 | d’’’’ | 2349.32 |
77 | C7/D7 | cis’’’’/des’’’’ | 2217.46 |
76 | C7 | c’’’’ | 2093.00 |
75 | B6 | h’’’ | 1975.53 |
74 | A6/B6 | ais’’’/b’’’ | 1864.66 |
73 | A6 | a’’’ | 1760.00 |
72 | G6/A6 | gis’’’/as’’’ | 1661.22 |
71 | G6 | g’’’ | 1567.98 |
70 | F6/G6 | fis’’’/ges’’’ | 1479.98 |
69 | F6 | f’’’ | 1396.91 |
68 | E6 | e’’’ | 1318.51 |
67 | D6/E6 | dis’’’/es’’’ | 1244.51 |
66 | D6 | d’’’ | 1174.66 |
65 | C6/D6 | cis’’’/des’’’ | 1108.73 |
64 | C6 (high C) | c’’’ | 1046.50 |
63 | B5 | h’’ | 987.767 |
62 | A5/B5 | ais’’/b’’ | 932.328 |
61 | A5 | a’’ | 880.000 |
60 | G5/A5 | gis’’/as’’ | 830.609 |
59 | G5 | g’’ | 783.991 |
58 | F5/G5 | fis’’/ges’’ | 739.989 |
57 | F5 | f’’ | 698.456 |
56 | E5 | e’’ | 659.255 |
55 | D5/E5 | dis’’/es’’ | 622.254 |
54 | D5 | d’’ | 587.330 |
53 | C5/D5 | cis’’/des’’ | 554.365 |
52 | C5 | c’’ | 523.251 |
51 | B4 | h’ | 493.883 |
50 | A4/B4 | ais’/b’ | 466.164 |
49 | A4 concert pitch | a’ Kammerton | 440.000 |
48 | G4/A4 | gis’/as'’ | 415.305 |
47 | G4 | g’ | 391.995 |
46 | F4/G4 | fis’/ges’ | 369.994 |
45 | F4 | f’ | 349.228 |
44 | E4 | e’ | 329.628 |
43 | D4/E4 | dis’/es’ | 311.127 |
42 | D4 | d’ | 293.665 |
41 | C4/D4 | cis’/des’ | 277.183 |
40 | C4 (middle C) | c’ (Schloss-C) | 261.626 |
39 | B3 | h | 246.942 |
38 | A3/B3 | ais/b | 233.082 |
37 | A3 | a | 220.000 |
36 | G3/A3 | gis/as | 207.652 |
35 | G3 | g | 195.998 |
34 | F3/G3 | fis/ges | 184.997 |
33 | F3 | f | 174.614 |
32 | E3 | e | 164.814 |
31 | D3/E3 | dis/es | 155.563 |
30 | D3 | d | 146.832 |
29 | C3/D3 | cis/des | 138.591 |
28 | C3 | c | 130.813 |
27 | B2 | H | 123.471 |
26 | A2/B2 | Ais/B | 116.541 |
25 | A2 | A | 110.000 |
24 | G2/A2 | Gis/As | 103.826 |
23 | G2 | G | 97.9989 |
22 | F2/G2 | Fis/Ges | 92.4986 |
21 | F2 | F | 87.3071 |
20 | E2 | E | 82.4069 |
19 | D2/E2 | Dis/Es | 77.7817 |
18 | D2 | D | 73.4162 |
17 | C2/D2 | Cis/Des | 69.2957 |
16 | C2 (low C) | C | 65.4064 |
15 | B1 | ,H | 61.7354 |
14 | A1/B1 | ,Ais/,B ~60 Hz | 58.2705 |
13 | A1 | ,A | 55.0000 |
12 | G1/A1 | ,Gis/,As | 51.9130 |
11 | G1 | ,G ~50 Hz | 48.9995 |
10 | F1/G1 | ,Fis/,Ges | 46.2493 |
9 | F1 | ,F | 43.6536 |
8 | E1 | ,E | 41.2035 |
7 | D1/E1 | ,Dis/,Es | 38.8909 |
6 | D1 | ,D | 36.7081 |
5 | C1/D1 | ,Cis/,Des | 34.6479 |
4 | C1 | ,C | 32.7032 |
3 | B0 | ,,H | 30.8677 |
2 | A0/B0 | ,,Ais/,,B | 29.1353 |
1 | A0 (first tone) | ,,A | 27.5000 |
In the twelve-semitone scale the frequency of the next semitone (halftone) is higher or lower by the factor of twelfth root of two = 1.0594630943592952645618252949463. |
A sound engineer should know the following: The AC hum of 50 Hz in Europe is close to the pitch of G1 = 48.99 Hz (49 Hz). The AC hum of 60 Hz in the U.S. is a minor third higher close to the pitch of A1/B1 = 58.27 Hz (58 Hz). So you can find out logically, whether a sound recording was made in Europe or in the U.S. |
A pure tone with the frequency f = 440 Hz has the amplitude function: A = sin (880 π t) - where t is given in seconds. |
The following equation will give the frequency f of the nth piano key number, as shown in the table: Alternatively, this can be written as: |
Notes and keyboard
The concert pitch A4 (a') lies in the octave between C4 (c') and C5 (c'').
Some manufacturers label the 440 Hz concert pitch not correct as A3. It is A4.
Some manufacturers label the 440 Hz concert pitch not correct as A3. It is A4.
Name and frequency of the octave positions | |||||||||
English | A0 | A1 | A2 | A3 | A4 | A5 | A6 | A7 | A8 |
German | ,,A | ,A | A | a | a’ | a’’ | a’’’ | a’’’’ | a’’’’’ |
Frequency in Hz | 27.5 | 55 | 110 | 220 | 440 | 880 | 1760 | 3520 | 7040 |
Numbers of the lowest c note for the respective musical octave.
Ranges of some popular instruments
Instrument | Starts | Stops |
guitar | E2 | E6 |
seven string guitar | B1 | E6 |
cello | C2 | A6 |
4-string bass guitar | E1 | E5 |
piano | A0 | C8 |
piccolo | C5 | C8 |
violin | G3 | E7 |
All piano keys
Frequencies of the equal temperament − table or chart | |||||||||||
Octave | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
C / B# | 16.352 | 32.703 | 65.406 | 130.813 | 261.626 | 523.251 | 1046.502 | 2093.005 | 4186.009 | 8372.018 | 16744.036 |
C# / Db | 17.324 | 34.648 | 69.296 | 138.591 | 277.183 | 554.365 | 1108.731 | 2217.461 | 4434.922 | 8869.844 | 17739.688 |
D | 18.354 | 36.708 | 73.416 | 146.832 | 293.665 | 587.330 | 1174.659 | 2349.318 | 4698.636 | 9397.273 | 18794.545 |
D# / Eb | 19.445 | 38.891 | 77.782 | 155.563 | 311.127 | 622.254 | 1244.508 | 2489.016 | 4978.032 | 9956.063 | 19912.127 |
E / Fb | 20.602 | 41.203 | 82.407 | 164.814 | 329.628 | 659.255 | 1318.510 | 2637.020 | 5274.041 | 10548.082 | - |
F / E# | 21.827 | 43.654 | 87.307 | 174.614 | 349.228 | 698.456 | 1396.913 | 2793.826 | 5587.652 | 11175.303 | - |
F# / Gb | 23.125 | 46.249 | 92.499 | 184.997 | 369.994 | 739.989 | 1479.978 | 2959.955 | 5919.911 | 11839.822 | - |
G | 24.500 | 48.999 | 97.999 | 195.998 | 391.995 | 783.991 | 1567.982 | 3135.963 | 6271.927 | 12543.854 | - |
G# / Ab | 25.957 | 51.913 | 103.826 | 207.652 | 415.305 | 830.609 | 1661.219 | 3322.438 | 6644.875 | 13289.750 | - |
A | 27.500 | 55.000 | 110.000 | 220.000 | 440.000 | 880.000 | 1760.000 | 3520.000 | 7040.000 | 14080.000 | - |
A# / Bb | 29.135 | 58.270 | 116.541 | 233.082 | 466.164 | 932.328 | 1864.655 | 3729.310 | 7458.620 | 14917.240 | - |
B / Cb | 30.868 | 61.735 | 123.471 | 246.942 | 493.883 | 987.767 | 1975.533 | 3951.066 | 7902.133 | 15804.266 | - |
Comparing the Frequency Ratios for Equal Temperament and Pure Harmonic Series
Interval conversions - Frequency ratio to cents and vice versa
Frequency Range of Musical Instruments and Singing Voices
Frequency Range of Musical Instruments and Singing Voices
Frequencies of music Ranges - Fundamental frequencies of instruments
also the vocal range: bass, baritone, tenor, alto and soprano
also the vocal range: bass, baritone, tenor, alto and soprano
MIDI note numbers (midi files)
Octave notation is given here in the international standard ISO system, formerly known as the ASA (Acoustical Society of America) or ANSI system. In this system, middle C (MIDI note number 60) is C4; octaves start with C, so the B just below (MIDI number 59) is B3. The lowest note of the normal modern piano is A0 (MIDI 21), though Boesendorfer Imperials go down to F0 or even C0. The highest note of the piano is C8 (MIDI 108). |
Octave # | MIDI Note Numbers | |||||||||||
C | C# | D | D# | E | F | F# | G | G# | A | A# | B | |
−1 | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 |
0 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 |
1 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 |
2 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 |
3 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 |
4 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 |
5 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 |
6 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 |
7 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 |
8 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 |
9 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 |
Note: The MIDI specification only defines note number 60 as "Middle C", and all other notes are relative. The absolute octave number designations shown here are based on Middle C = C4, which is an arbitrary assignment. |
Method for finding the corresponding MIDI note number for a given frequency: Original expression f = 440 × 2(n − 69) / 12 Simplification step 1: f / 440 = 2(n − 69) / 12 Simplification step 2: log2 (f / 440) = (n − 69) / 12 Simplification step 3: 12 × log2 (f / 440) = n – 69 Formula for finding a MIDI note number given the frequency in Hz of the MIDI note: n = (12 × log2 (f / 440)) + 69 Given the frequency f for a note in Hz, it is possible to find the corresponding MIDI note number represented by the variable n. One version of the MIDI system uses C3 to designate Middle C (MIDI note 60 = 261.626 Hz). That means that the octave designation for MIDI note "0" would be "-2" or notated as C-2. Another version of the MIDI system uses the lowest note available to the MIDI system. MIDI note 1 = 8.176 Hz to designate Octave "0" with the notation of C0. In this system, Middle C. MIDI note 60 = 261.626 Hz is octave 5 with the notation of C5. |
MIDI Notes and their corresponding frequencies
MIDI 60 is C4, and not C5.
Note | MIDI | Hz | Note | MIDI | Hz | Note | MIDI | Hz | Note | MIDI | Hz | |||
C - | 0 | 8.176 | G# 1 | 32 | 51.913 | E 4 | 64 | 329.63 | C 7 | 96 | 2093.0 | |||
C# - | 1 | 8.662 | A 1 | 33 | 55.000 | F 4 | 65 | 349.23 | C# 7 | 97 | 2217.5 | |||
D - | 2 | 9.177 | A# 2 | 34 | 58.270 | F# 4 | 66 | 369.99 | D 7 | 98 | 2349.3 | |||
D# - | 3 | 9.723 | B 1 | 35 | 61.735 | G 4 | 67 | 391.99 | D# 7 | 99 | 2489.0 | |||
E - | 4 | 10.301 | C 2 | 36 | 65.406 | G# 4 | 68 | 415.31 | E 7 | 100 | 2637.0 | |||
F - | 5 | 10.913 | C# 2 | 37 | 69.295 | A 4 | 69 | 440.00 | F 7 | 101 | 2793.8 | |||
F# - | 6 | 11.562 | D 2 | 38 | 73.416 | A# 4 | 70 | 466.16 | F# 7 | 102 | 2960.0 | |||
G - | 7 | 12.250 | D# 2 | 39 | 77.781 | B 4 | 71 | 439.88 | G 7 | 103 | 3136.0 | |||
G# - | 8 | 12.978 | E 2 | 40 | 82.406 | C 5 | 72 | 523.25 | G# 7 | 104 | 3322.4 | |||
A - | 9 | 13.750 | F 2 | 41 | 87.307 | C# 5 | 73 | 554.37 | A 7 | 105 | 3520.0 | |||
A# - | 10 | 14.568 | F# 2 | 42 | 92.499 | D 5 | 74 | 587.33 | A# 7 | 106 | 3729.3 | |||
B - | 11 | 15.434 | G 2 | 43 | 97.998 | D# 5 | 75 | 622.25 | B 7 | 107 | 3951.1 | |||
C 0 | 12 | 16.352 | G# 2 | 44 | 103.82 | E 5 | 76 | 659.26 | C 8 | 108 | 4186.0 | |||
C# 0 | 13 | 17.324 | A 2 | 45 | 110.00 | F 5 | 77 | 698.46 | C# 8 | 109 | 4434.9 | |||
D 0 | 14 | 18.354 | A# 2 | 46 | 116.54 | F# 5 | 78 | 739.99 | D 8 | 110 | 4698.6 | |||
D# 0 | 15 | 19.445 | B 2 | 47 | 123.47 | G 5 | 79 | 783.99 | D# 8 | 111 | 4978.0 | |||
E 0 | 16 | 20.601 | C 3 | 48 | 130.81 | G# 5 | 80 | 830.61 | E 8 | 112 | 5274.0 | |||
F 0 | 17 | 21.826 | C# 3 | 49 | 138.59 | A 5 | 81 | 880.00 | F 8 | 113 | 5587.7 | |||
F# 0 | 18 | 23.124 | D 3 | 50 | 146.83 | A# 5 | 82 | 932.32 | F# 8 | 114 | 5919.9 | |||
G 0 | 19 | 24.499 | D# 3 | 51 | 155.56 | B 5 | 83 | 987.77 | G 8 | 115 | 6271.9 | |||
G# 0 | 20 | 25.956 | E 3 | 52 | 164.81 | C 6 | 84 | 1046.5 | G# 8 | 116 | 6644.9 | |||
A 0 | 21 | 27.50 | F 3 | 53 | 174.61 | C# 6 | 85 | 1108.7 | A 8 | 117 | 7040.0 | |||
A# 0 | 22 | 29.135 | F# 3 | 54 | 184.99 | D 6 | 86 | 1174.7 | A# 8 | 118 | 7458.6 | |||
B 0 | 23 | 30.867 | G 3 | 55 | 195.99 | D# 6 | 87 | 1244.5 | B 8 | 119 | 7902.1 | |||
C 1 | 24 | 32.703 | G# 3 | 56 | 207.65 | E 6 | 88 | 1318.5 | C 9 | 120 | 8372.0 | |||
C# 1 | 25 | 34.648 | A 3 | 57 | 220.00 | F 6 | 89 | 1396.9 | C# 9 | 121 | 8869.8 | |||
D 1 | 26 | 36.708 | A# 3 | 58 | 233.08 | F# 6 | 90 | 1480.0 | D 9 | 122 | 9397.3 | |||
D# 1 | 27 | 38.890 | B 3 | 59 | 246.94 | G 6 | 91 | 1568.0 | D# 9 | 123 | 9956.1 | |||
E 1 | 28 | 41.203 | C 4 | 60 | 261.63 | G# 6 | 92 | 1661.2 | E 9 | 124 | 10548.1 | |||
F 1 | 29 | 43.653 | C# 4 | 61 | 277.18 | A 6 | 93 | 1760.0 | F 9 | 125 | 11175.3 | |||
F# 1 | 30 | 46.249 | D 4 | 62 | 293.66 | A# 6 | 94 | 1864.7 | F# 9 | 126 | 11839.8 | |||
G 1 | 31 | 48.999 | D# 4 | 63 | 311.13 | B 6 | 95 | 1975.5 | G 9 | 127 | 12543.9 |
Frequency to Musical Note Converter
Find out what note a given frequency is. English system.
Find out what note a given frequency is. English system.
The frequency of 440 Hz is the concert pitch note A4. If someone tells you different, this person is in error. Since 1939 in many countries the valid standard pitch is set at A4 = 440 Hz. In German and Austrian symphony orchestras, however, a tuning for A4 = 443 Hz is common. In Switzerland it is A4 = 442 Hz. Herbert von Karajan tuned his Berlin Philharmonic Orchestra at A4 = 444 Hz. That is however, not the standard pitch. |
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